By Dennis Baxter
Tv audio engineering is like all different business-you examine at the job--but a growing number of the is hoping on a contract economic system. The mentor is turning into something of the previous. a realistic consultant TO tv SOUND ENGINEERING is a pass education reference consultant to technicians and engineers of all degrees. jam-packed with pictures, case experiences, and adventure from an Emmy-winning writer, this booklet is a must have device.
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43 A Practical Guide to Television Sound Engineering Down Mixing Often television programs require multiple mix formats including surround, stereo and mono sound mixes. The mixes are often generated from the mix bussing of the mixing console. This method may require some compromise with individual fader levels because you are feeding multiple mixes from the same fader, but generally it can be effective. Down mixing can be accomplished by combining or mixing the surround channels to a stereo mix.
8 Handheld camera with stereo shotgun microphone. Even though many events are presented from the left-to-right viewer perspective, handheld cameras, reverse angle and specialty cameras present challenges to audio personnel because of the changing visual perspectives. It can clearly be argued that changing sound perspective is correct to accurately match the video, but reversing perspectives can be confusing to the viewer and should be considered carefully. Audio Technica makes several stereo shotgun microphones that can output true MS stereo and a XY stereo mode.
The audio router matrix acts as an MME (master media engine) and directs all the inputs and outputs to the appropriate destination. The audio will be networked using large audio routers to provide the highest level of input, output and control capacity. No more patching record machines—the operator will be able to call up any audio source from the MME, adjust an appropriate blend of audio sources, and press record. Open architecture is necessary in a software-driven environment because outboard production tools, digital archives and other audio-control platforms will need to communicate and exchange data with greater flexibility.
A Practical Guide to Television Sound Engineering by Dennis Baxter