
By May Sally K Fiore Daunae Domingo Sanz Ineus
ISBN-10: 1598742647
ISBN-13: 9781598742640
ISBN-10: 1598742655
ISBN-13: 9781598742657
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Palinología de letrinas fósiles de damán, Unpubl. PhD thesis, Universidad Autónoma de Madrid. Guenther, M. 1986. The Nharo Bushmen of Botswana – Tradition and Change. Hamburg: Helmut Buske Verlag. Hyndman, D. C. 1994. ‘Back to the future: Trophy arrays as mental maps in the Wopkaimin’s culture of place’. In R. ), Signifying Animals – Human Meaning in the Natural World. London: Routledge, 63–73. Keyser, J. , and G. Poetschat. 2004. ‘The canvas as the art: Landscape analysis of the rock-art panel’.
2003 on ‘layered landscapes’) is ‘mapped’ through a variety of sites being the tokens of a likewise great variety of discourses and identities. Accordingly, the signs of these discourses can also be found separately as well as overlapping in the rock art sites and in the landscape. As is the case today in any given society, also in the prehistoric past identities were not labels that fit once and forever. Rather, identities and the symbols that represented them were chosen context-related ones, which again was largely defined through space and discourse.
CHAPTER 3 Rocks of Ages: Petroglyphs, Pictographs, and Identity in Puerto Rico Peter G. Roe and Michele H. Hayward Prehistoric Puerto Rican Rock Art and Its Cultural Context Within the Caribbean, Puerto Rico enjoys a unique proliferation of rock art; carved and painted images are recorded for some 500 locations on an island 64 by 178 kilometers. The number of images per sites varies, ranging from as little as one to over one hundred petroglyphs, pictographs, or a combination of those two types of lithoglyphic expression.
Archaeologies of art : time, place, and identity by May Sally K Fiore Daunae Domingo Sanz Ineus
by Jason
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