By Nick Holloway
Nick Holloway’s nursing occupation was once spent operating in care houses in South Wales. His many stories, unhappy, stunning, harrowing, uplifting, miserable and a laugh, encouraged him to jot down Autumn’s colors, his first novel. This light-hearted tale is decided in an imaginary care domestic within the Dorset city of Dorchester, England, the city during which Nick knowledgeable as a nurse. the folk and occasions within the e-book are established heavily on genuine care houses, genuine humans and actual cities. They squabble, chat, fall out, banter, make buddies and try to seduce one another – similar to humans within the outdoor global. The occasions defined within the e-book might be primary to a person who works in a care domestic, or who visits someone in a single.
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Extra info for Autumn’s Colours
Even though the cool Mediterranean air breezes across the beach into the open room, the atmosphere is hot hot. These Western kids are desperate to be Western. They don’t want to miss any of the teen boom that is happening back in the First World. Ian is lurking somewhere nearby. He got me into this and is getting a huge kick from it. At my tender age I don’t have any idea what it means, but I can feel the buzz. Michele Savage is here. And Connie Ridgeway and Colleen Bisharat. All of the yearned-for fifteen-year-old women—so far above my lowly prepubescent but ardent station—are gyrating to Fats Domino right in front of the gear.
A synapse closes in the mind of the enraptured protoshaman. Next morning, when my head clears, it seems obvious that music isn’t just a tool or weapon, it’s what my life is for. It’s powerful juju, and I want to own it as much as it owns me. The gatehouse lodge to the old Millfield estate is where Mr. Fox rules the music kingdom. In an annex to this quaint little house are the piano rooms, where the music geeks pore over their finger exercises and ear training. This is where the seed planted by my sister, Lennie, back at Tarazi starts to grow.
By the time we get to the hyperexpensive scoring stage the relative happy and sad have been fully calibrated to the satisfaction of the director and more immediate producers. But now this guy wants more happy in this scene. That’s when you have to put the orchestra on a fifteen-minute break, sprint over to the keyboard, and start figuring. With modern software it’s not too hard to immediately print up new parts to put on the stands. The tricky part is manipulating the emotional message of the chords, melodies, rhythms, and timbres.
Autumn’s Colours by Nick Holloway