By Mary Alice Monroe
Mary Alice Monroe, New York Times bestselling writer of the Lowcountry summer time trilogy, returns to her cherished South with Beach condominium Memories, the sequel to The seashore House!
Autumn brings haunting attractiveness to the sun-soaked dunes on Isle of hands, the place Olivia “Lovie” Rutledge lives in her cherished Primrose Cottage. because the seasons swap, Lovie recollects one specified summer…
In 1974, the US is altering, yet Charleston continues to be forever a similar. while Lovie married aristocratic, well-connected businessman Stratton Rutledge, she became over her fortune and destiny to his keep watch over. yet she refused to relinquish something: her family’s outdated beach cottage. helpful summers along with her young children at the barrier island are Lovie’s safe haven from social expectancies and her overbearing husband’s philandering. right here, she is the “Turtle Lady,” tending the loggerhead turtles that lay their eggs within the hot evening sand after which slip again into the sea.
Then, in the summertime of ‘74, biologist Russell Bennett visits to investigate the loggerheads. Their shared curiosity brings them jointly, and shortly it blooms right into a passionate, profound love—forcing Lovie to stand an agonizing determination. Stratton’s effect is far-reaching, and if she dares to dream past a summer season affair, she dangers wasting her popularity, her wealth, even her children.
This emotional story of a robust girl torn among responsibility and hope, among culture and alter, is an empowering trip in the course of the seasons of self-discovery. until eventually this fall, this time of winds and tides, of conserving on and letting go…
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Extra resources for Beach House Memories (Beach House, Book 3)
While Anzaldúa develops much of the theoretical work expounding upon this concept in her later writing, it is appropriate to note here that she begins its articulation in Borderlands with her assertion of the Coatlicue state, to which some scholars continue to refer. But to clarify the expansion in terms, Walter Mignolo, in his introduction to the journal Nepantla provides a useful foundation for the expanded historical and political framework of the term: Nepantla is a Nahuatl word describing the “in-between situation” in which the Aztecs saw themselves in the sixteenth century, as they were placed in between ancient Aztec wisdom and the ongoing Spanish colonization … Nepantla, finally, and as the story of its emergence indicates, links the geohistorical with the epistemic with the subjective, knowledge with ethnicity, sexuality, gender, and nationality in power relations.
Eliade argued the primacy of religious myths and symbols as inseparable from rituals themselves. Ultimately, this unbroken connection provides more full understanding, experience, and expression of that which is sacred. The myth-making we do preserves the works of the gods, according to Eliade, and their recitation and re-enactment provide the kind of deep connection between the sacred story and the ritual itself insofar as it preserves human existence as part of a larger divine understanding of being.
How sturdy then are the bridges we must cross toward suggesting the applicability of a criticism, the core of which is in observed performance? Or to put the most obvious question forward, what is it that ritual study accomplishes that cultural studies and literary studies somehow do not? In response to the latter question, it is not so much a question of what either lacks; rather, by definition rituals © The Author(s) 2016 H. 1057/978-1-137-58854-8_2 21 22 H. ANDRONE are cultural and therefore part of cultural studies.
Beach House Memories (Beach House, Book 3) by Mary Alice Monroe