By Florian Don-Schauen, Momo Evers, Thomas Römer
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Extra resources for Das Jahr des Feuers 3: Rückkehr des Kaisers (Das Schwarze Auge)
The implication seems to be that in order to keep his men from striking, the master is himself struck dumb: “He must see nothing, hear nothing, of these wickednesses” or his ruin is imminent, but is it not the case that his failure to object to this hazing is the mark of a mercenary complicity? Or that the workers’ efforts to lead No. 44 “a dog’s life all the forenoon” (264) exemplify their own dogged devotion to the master, and a supplement to Stein’s guise of liberality that would prove No. 44 unworthy of it?
44, The Mysterious Stranger “our village” Eseldorf is a setting the narrator August quickly abandons in favor of the castle, with its vocational promise, even though the publishing industry is censured by a Church dead set against the effects of mass production, which lead to “the cheapening of books and the indiscriminate dissemination of knowledge” (230). In spite of the Church, the printer’s shop goes about its business unobstructed. What’s more, its separate jurisdiction is also a temporal distinction, and its shifting coordinates in time and space are essentially a chronotopical shift.
Moreover, unions kept membership out of the reach of black workers, systematically excluding them from craft unions by charging exorbitant initiation fees, requiring licenses they were not in a position to obtain, refusing them apprenticeships, and so on (349). Crucially, their methods (which supplemented other strategies designed to prevent black males from enjoying the benefits of full citizenship, such as the poll tax and grandfather clause) carefully elided accusations of discrimination, submerging racial hostilities in bureaucratic technicalities that effectively consigned African Americans to poverty wages in most industries.
Das Jahr des Feuers 3: Rückkehr des Kaisers (Das Schwarze Auge) by Florian Don-Schauen, Momo Evers, Thomas Römer