Download e-book for kindle: Eargle's The Microphone Book: From Mono to Stereo to by Ray A. Rayburn

By Ray A. Rayburn

ISBN-10: 0240820754

ISBN-13: 9780240820750

Eargle's Microphone Book is the single advisor you'll ever want for the newest in microphone know-how, software and approach. This re-creation beneficial properties extra on microphone arrays and instant microphones, new fabric on electronic versions; the most recent advancements in encompass; improved recommendation on studio organize, recording and mic choice.

Ray A. Rayburn presents precise research of the different sorts of microphones on hand and addresses their program via sensible examples of exact recording periods and studio operations.

The booklet takes you into the studio or live performance corridor to determine how performers are located and the way the simplest microphone array is set. troublesome areas comparable to reflections, studio leakage and isolation are analyzed from useful viewpoints. artistic ideas to stereo sound staging, standpoint, and stability are coated in detail. Eargle's Microphone Book is a useful source for studying the 'why' in addition to the 'how' of selecting and putting a microphone for any situation.

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Additional resources for Eargle's The Microphone Book: From Mono to Stereo to Surround - A Guide to Microphone Design and Application

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The dome normally moves as a unit, with mechanical compliance provided by reticulated treatment in the outer detail of the dome. Small neodymium magnets are very common in modern designs. 26 Designing for low, medium, and high frequency regimes: LF resonance (A); MF damping (B); HF resonance (C); net response (D). ) Some dynamic microphones, both omnidirectional and directional, incorporate a “hum-bucking” coil to cancel the effect of stray power line induction at 50/60 Hz. This is a low-resistance coil in series with the voice coil and located externally to the magnet structure of the microphone.

1). Alternatively, if we move the plates closer together, as shown at C, the capacitance increases and the voltage drops. 1C. The series resistance of 1 GO (109 ohms) ensures that, once the charge is in place, normal audio frequency variations in the diaphragm’s displacement do not alter the charge but are manifest as a variation in voltage, which is the inverse of the change in capacitance. For our analysis here, we assume that negligible power is transferred between the capacitor and the resistor.

16 and stated as an equivalent acoustical rating. 16 Standard weighting curves for acoustical noise measurements. equivalent to that which a theoretically perfect microphone would pick up if it were operating in an actual acoustical space that had a residual noise rating of 10 dB A-weighted. That would be very roughly equivalent to the noise in a room with a Noise Criteria (NC) rating of NC5. These matters are discussed in detail in Chapter 7, which is devoted to microphone measurements; here, we intend only to detail the spectral nature of the noise itself.

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Eargle's The Microphone Book: From Mono to Stereo to Surround - A Guide to Microphone Design and Application by Ray A. Rayburn

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