
By Clyde Ellis, Luke E. Lassiter, Gary H. Dunham
ISBN-10: 0803229607
ISBN-13: 9780803229600
ISBN-10: 080326755X
ISBN-13: 9780803267558
This anthology examines the origins, meanings, and enduring energy of the powwow. hung on and stale reservations, in rural and concrete settings, powwows are a major car for local peoples to assemble on a regular basis. even though occasionally a paradoxical blend of either tribal and intertribal identities, they're a medium in which many teams preserve very important practices. Powwow starts with an exploration of the background and importance of powwows, starting from the Hochunk dances of the early 20th century to present-day Southern Cheyenne gatherings to the modern powwow circuit of the northern plains. participants speak about the powwow’s performative and cultural dimensions, together with emcees, tune and dance, the expression of conventional values, and the Powwow Princess. the ultimate part examines how powwow practices were appropriated and reworked by means of Natives and non-Natives in the past few a long time. Of particular be aware is using powwows through local groups within the jap usa, by way of Germans, by way of homosexual and lesbian Natives, and via New Agers. (20070321)
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Extra info for Powwow
Sample text
33. , interview, May 3, 1997. 34. See Ellis, A Dancing People, 106–9, for a discussion of the Kiowa and Pawnee cases. 35. Jess Rowlodge, interview with Julia A. Jordan, June 4, 1969, T-458, Doris Duke Oral History Collection, Western History Collection, University of Oklahoma, 8, 11, 13–14. 36. Lassiter, Power of Kiowa Song, 94; Carol Rachlin, “Tight Shoe Night: Oklahoma Indians Today,” in The American Indian Today, ed. Stuart Levine and Nancy O. Lurie (Baltimore: Pelican Books, 1970), 171, 182–83; Clifford Coppersmith, “Healing and Remembrance: The Chiricahua and Warm Springs Apache Mountain Spirit Dance in Oklahoma,” unpublished manuscript in the author’s possession; Thiel, “The Omaha Dance,” 5.
Native American Dance: Ceremonies and Social Traditions (Washington dc: Smithsonian Institution Press, 1992); George P. Horse Capture, Pow Wow (Cody wy: Buffalo Bill Historical Center, 1989); David Whitehorse, Pow-wow: The Contemporary Pan-Indian Celebration, Publications in American Indian Studies (San Diego: San Diego State University, 1988); William K. Powers, War Dance: Plains Indian Musical Performance (Tucson: University of Arizona Press, 1990); William K. Powers, “Plains Indian Music and Dance,” in Anthropology on the Great Plains, ed.
Form of gathering. . ” 28 Two simultaneous events seemed to be occurring. On the one hand prereservation warrior societies and their dance rituals maintained some of the power and utility that had previously made them so important. On the other hand, as dance traditions responded to new realities, the momentum that was helping to revive warrior society dances also produced a new kind of secular, social event increasingly referred to during the post–World War II years as the powwow. “Powwows are not unchanging continuations from the depths of time,” writes Kavanagh.
Powwow by Clyde Ellis, Luke E. Lassiter, Gary H. Dunham
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