By David E. Elkins SOC
ISBN-10: 1590593154
ISBN-13: 9781590593158
Excel as an Assistant Cameraman (AC) in today’s evolving movie with this up-to-date vintage. research what to do―and what to not do―during construction and get the task performed correct the 1st time.
The digital camera Assistant’s handbook, 6th variation
covers the fundamentals of cinematography and provides you with the multi-skill set had to retain and delivery a digital camera, troubleshoot universal difficulties on position, arrange for activity interviews, and paintings with the most recent movie and video applied sciences. Illustrations, checklists, and tables accompany each one bankruptcy and spotlight the day-by-day workflow of an AC.
This re-creation has been up to date to include:
- A clean bankruptcy at the access point digital camera positions of digital camera Trainee/Production Assistant
- Coverage of rising iPhone apps which are utilized by filmmakers and ACs on set
- An up to date spouse site delivering on-line tutorials, clips, and strategies that ACs can simply entry whereas on place (www.cameraassistantmanual.com)
- All new pattern stories and types together with AC time playing cards, resumé templates, a digicam file, and a non-prep disclaimer
- Instruction and customized types to aid freelance filmmakers continue tune of day-by-day charges for tax reasons
The digital camera Assistant’s handbook, 6th Edition is an AC's bible for fulfillment and essential for an individual trying to prosper during this hugely technical and ever-changing profession.
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Extra info for The Camera Assistants Manual
Example text
Be ordered for the camera. 29 in Chapter 4 for examples of the ground glass found in both Arriflex and Panavision 16 mm and 35 mm cameras. For many of these the ground glasses are marked for multiple formats. 12 THE CAMERA ASSISTANT’S MANUAL Some camera manufacturers have recently developed 35 mm camera systems that are designed to reduce film waste. Instead of the standard four perforations per frame, these systems use three perforations per frame of 35 mm film, resulting in a 25 percent savings in film use.
15 Minolta reflected (spot) meter. 16 Sekonic combination light meter. COLOR TEMPERATURE AND COLOR BALANCE For professional cinematography, proper color reproduction of objects in a scene is dependent on the color temperature of the light source used to illuminate the scene. This applies when shooting film or video formats. Each light source is considered to be a different color and therefore has what is referred to as a color temperature. The human eye cannot accurately distinguish between the different colors of light, but motion picture film stock is much more sensitive.
There are many different formats for shooting, and which one to use is often the decision of the DP, Director, and sometimes even the Producer. 66:1 aspect ratio. 78:1 aspect ratio (HDTV). 5 mm mm mm m 3m 24. 9 2⁄3Љ CCD, 16 mm, and Genesis camera aspect ratios. 10 35 mm aspect ratios. 31 mm Release Scale Drawing Area m 4m 57. 0 mm2 m 6m 52. 11 65 mm/70 mm aspect ratios. ) be ordered for the camera. 29 in Chapter 4 for examples of the ground glass found in both Arriflex and Panavision 16 mm and 35 mm cameras.
The Camera Assistants Manual by David E. Elkins SOC
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